Lynched…

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I have recently started working on a new photography project. ‘Lynched’ is a project inspired by the work and quirkiness of the brilliant David Lynch and will be live on my website soon.

Lynch has been one of my favourite directors/artist/photographer for years. I adore how he celebrates the horror and the quirks of the ordinary and manages to make statements out of silence.

I started shooting this project last month and so far it includes portraits and images of friends, family and models. I’m loving exploring the themes of the work…

The Guardian in the UK once described Lynch as “the most important filmmaker of the current era”. I think it’s difficult to disagree with that and he’s certainly the most important to me.

New Artwork & Digital Prints.

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‘Classic Cola’

The above print is something I worked on last weekend. I had it professionally retouched and I’m really pleased with it…

Today I’v also (finally!) opened an online store selling digital prints of my images. There’s only one on there so far but I promise I’ll be adding more soon…

If you’d like to check out the print(s) please visit my Etsy store by clicking here.

Shoot what you love…

Shoot what you love… That’s what they tell you. Someone told me it when I first started shooting. I’m not sure who told me that, maybe it was one of my lecturers, maybe someone else. Come to think of it, maybe I just read it somewhere. I’m really not sure, but that’s not the point…

In my day to day life, throughout the years I have worked with hundreds of models and actors etc, capturing their portrait. But as much as I have enjoyed every single shoot, my very favourite person to photograph is my wife Emma. I think a lot of it is because, obviously, I now her so well. I already have a connection with and I already know what will work really well and what might not work so well. I think comfort comes into play here too. I’m comfortable enough to ask Emma to do anything for a shoot and she’s comfortable enough with me to do it. It instantly knocks down boundaries. She has seen, and lived with my frustration first hand when I haven’t quite got the “the shot”. She understands how much it plays on my mind, how much it bothers me. That’s why I think she’s always patient with me while I’m shooting her. She understands I have a vision for the aesthetic of the shot, and she’ll work tirelessly to make sure we achieve it.

I bet if I had to pick the favourite 50 portraits I’ve ever taken, at least half (and probably more) would be of Emma. She has soaked herself in fake blood, hung around town centres at 2.00am, got drunk and even pretended to murder me, all for the sake of my photography. The most recent shots I took of her, are the ones above – taken on a rare sunny afternoon. The ‘Model’ t shirt is really apt, as I’m pretty sure she’s probably been photographed a lot more than a lot of professional models.

I already can’t wait for our next shoot…

Sleepless in Susanna – alt travel.

Alt Travel Photography, I’m not even sure that’s a real thing, but regardless it’s the description I’ve gone with for this particular project. Let me try and explain a little…

Every holiday (or vacation to those of you in the States) I come back with a handful of photographs. You know the kind; selfies, a few pics of the beach etc. The kind of photos I always refer to as “snapshots”. This is nice and all and upon my return I put them in a folder on my Mac, or occasionally get them printed. They’re nice memories to keep and look at a handful times over the years, but it kind of ends there. I decided this year I wanted to try something different…

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This past November my Wife and I headed on a working holiday in the beautiful coastal town of Santa Susanna – a short journey from Barcelona and very much in Catalan territory. Before we left I had already decided that I wanted to give this “alt travel photography” a shot. I wanted to create something different. Obviously whilst there I’d still take the selfies etc for personal use, but I wanted to really think and create a set of images I’d happily publish, or at the very least share on my website.
Everywhere we went, everywhere we explored, every activity it made me conscious of taking photographs. Finding a unique shot whilst still documenting our journey and our week. The day we had chosen to go into Barcelona city happened to be the day of the Catalan general strike which saw over 100,000 people take to the streets to protest against police brutality, and stand for democracy. I included only a couple of photographs from this day, partly because it’s not exactly what I wanted this project to be and partly out of respect for those protesting…
I knew from the get go I wanted to include portraits of us both but still capture the beautiful landscapes and surroundings. So that’s what this project is. ‘Alt travel photography”? I’m not sure, but it’s certainly alt for me. Something different, something that made my creative brain tick and something that led to a series work I’m proud of, all whilst experiencing a beautiful place in a sometimes drunken, but always happy state.
To view the full gallery please click on the following link: Sleepless in Susanna by Carl Beebee.

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A Photographers Love of Polaroids: An Instant Love Affair.

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If I spoke to ten different photographers from ten different backgrounds, working within ten different areas of the field, I would hazard a guess that at least eight of them would have a love for the instant photograph. Whether it be the age-old chemical process of the Polaroid or the (relatively) new electronic mechanism of the Instax. They probably wouldn’t be able to explain their love or fully understand it themselves. Like a married person in the heat of an affair. Unable to comprehend it, or explain it but fascinated by it. Drawn to it.

For me, I think it’s the physical attribute of the process. It is the anti-digital but with the same immediate result. Look through the viewfinder, release the shutter, and seconds later you are holding a physical print. Something to keep, to frame, to use as a bookmark or prop up on a shelf. It gives you an instant sense of ownership, something that will live with you. In a similar way that the 12” records from the 60s and 70s look like they have been lived with – they look like they could tell a story. Every crease and coffee stain revealing something else. Put this in comparison to shooting 35mm film and it’s easy to understand the love of the instant. For most people – or at least those like me who don’t own darkrooms, you can shoot a roll of film and wait up to a week for the prints to arrive with you. It’s somehow just not the same for me. It doesn’t have the same substance. I feel a little withdrawn from the process of it.

A few months ago I went away for a weekend with my Wife, I decided to document the trip on the Fuji Instax Mini (discussed in this blog post). I took approximately 40 exposures, and those photographs have already been looked at dozens more times that the equivalent would have been – ten to twenty photographs lurking in a gallery on my iPhone. Pushed further and further down the gallery with each click of the shutter and with each screenshot.

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I like things in my life that are unpredictable. Nights out, late nights, work projects. Unpredictability fascinates me. That’s what instant film offers. It’s like the unplanned “quick pint” with your friend that ends with a 4.00 am drinking session and an almighty hangover. You’ll never know what you’re going to get with instant film. You can do your best to create the “perfect” shot. Check your lighting, stage your subject, but I can almost guarantee you won’t get the same results twice. With limited to no control over exposure, ISO, and shutter speed, and without the ability to look through a single lens, every image will be different. Each will have it’s own personality. It’s own failings and equally it’s own brilliance.

This is nothing new, photographers have been fascinated with instant film since it came to light. Professionals used it, families used it. There would have been countless nude photographs taken of partners, hidden at the bottom of drawers during a time where instant photography was the only private photography.

Maybe all of that is part of it’s charm. Today there are artists who only shoot on instant film. I truly admire that but have to admit it’s not something I could do. After a week or so I’m always pretty happy to go back to the comfort of my DSLR, like the cheating partner walking back through the door of his house. It feels like going home.

When you think of instant film it’s hard not to think of the resurgence of analogue. Vinyl is back in record stores and outselling physical CD’s. It’s a throwback to a simpler time, a time when “things” meant something. A time where things weren’t thrown away. A time where not everything was considered disposable.

– Carl Beebee.

An Autopsy of Rural England.

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**A new and ongoing photography project**

Come to Herefordshire and you’ll be surprised by its natural beauty, the green fields, untouched landscapes and the tranquility of the idyllic market towns and villages, where people try desperately to grasp onto a time and period that has all but passed. You will probably fall in love with Herefordshire and remark to your nearest and dearest how it’s such a wonderful place to visit. You may even want to retire here…

But dig a little deeper, cut it open and you might find a very different story. A very different county. You might find a story of the lowest wages in the West Midlands, a story of constant compromise, a story of a Tory seat that has largely been unopposed for the last two decades. Cut deeper and you will see a county that has placed all of its funding into one city centre. A failed regeneration that has left everywhere else behind it, in its murky shadow. You’ll find quiet streets – and I don’t mean in the tranquil way you may think of – but in a way where a lack of true investment, opportunity and a disposable income has emptied the streets until they look like a damaged Hopper painting.

This project is not about the people here. By large, the people here are good, honest and hard working. There are of course people who do not want change. They don’t understand it. There are also plenty of the “love it or leave it” brigade and there are people who undoubtedly deserve better. People who have been let down by a place where social injustice is being pushed into the very forefront.

Herefordshire is of course beautiful too. There are countless books and postcards to demonstrate that. There is an undeniable charm here, but the things and places that will be photographed for this project, unlike other counties, are not hidden. They are not relegated to the back streets, they are on our doorsteps, outside of our houses, in our town centres. Unhidden, unapologetic and in plain view. They are a constant reminder of an unbalanced county and an unbalanced economy. It is compromised and frequent, it is every part of our county. It is in equal measure to the beauty, the charm and the silence.

Look past the natural beauty and the over marketed history and you’ll see it. Clear as day. A political commentary? Perhaps. But it will be a definite and honest autopsy of the place I call home.

– Carl Beebee.

Blogging, you have to blog right?

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Blogging, you have to blog right? (Is this ‘blogging’ on here?). Everyone tells me I have to blog. My agents tell me, my publicist tells me, so do my clients, friends and everybody else. I have to blog. I enjoy blogging I’m just not great at finding the time to do it, and I don’t pretend I’m actually any good at it. But I’m not bothered about that. I think I’m meant to blog about work and life but ironically those are the two things that seem to get in the way of me blogging. Let’s face it, there’s things I’d rather do than blog; spending time with my family, visiting galleries, drinking, fucking, shooting. All of the things that fill my life and generally make me happy. As I mentioned, I enjoy blogging, just generally not as much as the other things I’ve mentioned. I guess I need to find a way around this, but for now I’m going to tell you a little about what I’ve been working on because that seems as good as reason as any to blog.

Most of my time at the moment is taken up by working on my new book ‘FATALE’. My agents want this released in November of this year but that means a really tight schedule. I’m photographing approximately 50 women for the book. A mixture of professional models, friends, people I’ve known for a few years and people I’ve never met. It is a portrait of the real FATALE’s of 2017. The girl who lives next door, the woman you see down the street, the Mother dropping her kids off at school. It’s cool, sexy, seductive and different. I was recently asked to sum the book up in one line. My answer was “it’s a fuck you Hollywood” — and it is. There’s another slice of irony there considering I got this book deal on the back of my previous book ‘California Calling’. That leads me onto something else I’m working on… In the next couple of months I’m releasing a new version of ‘California Calling’ exclusively to the iBookstore — hopefully there will be more news on that very soon.

I’ve also been working on a short documentary filming a duo who are in the UK from the States to record an EP. Actually, this is something I’d like to blog about but I’m contracted to keep my mouth shut until the release. That’s irony biting me firmly on my ass again.

Those are the things that are currently filling up my schedule along with the things I mentioned earlier. I’m going to try and blog more but I must admit that this is something I’ve said before. The intention is there. The will is there. If there was a school report for it, it would simply read “must try harder”.

Thanks for reading… See you in the pub.

– Carl.

Saal Digital Review – Photobook.

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I’ve been looking for somewhere to print a small run of photo books for a while now – with the idea of self publishing a small book to sell exclusively at exhibitions etc. After seeing a featured add from Saal Digital on Instagram I decided to check them out…

I downloaded their software and eventually decided on a glossy 19 x 19 book with approximately 30 pages…

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The software was really simple to use, but much more importantly it was effective. A simple case of ‘drag and drop’ for the files you want to use – all embedded into the software at high resolution. There are many templates available within the program but I opted for either their ‘blank’ or ‘double’ pages. A note here: the double pages look incredible! No loss of image within the fold or crease at all, which means your images are seen how they are meant to be!

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Once completed you simply upload your final design, choose your shipping method and pay. The book took about a week to arrive, and I have to say I was so impressed. The quality of the product is exceptional. All too often as a photographer, I’ve uploaded images to print, only to be left disappointed with the quality. That’s certainly not the case with these photo books. They look and feel great. Thick pages with a high gloss finish really make the book stand out.

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Over the years (too many to mention) I’ve tried and used many publishing tools to create books to self publish, but Saal Digital are definitely the best for ease of use, quality of the product and delivery/shipping times.

For more information on their products head on over to www.saal-digital.co.uk

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Live Music Photography

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When I started taking photographs (all those years ago) I used to take a lot of band portraits and live sets. It made sense, I had friends who had good reputations in the music industry, so bands were the very people that were accessible to me. For years, this is what I specialized in, picking up commissions from music magazines such as NME, Kerrang!, Metal Hammer and Rock Sound etc. I loved the work, as at the time I felt it allowed a creativeness that you didn’t really see in more commercial photography. I loved doing the promo shoots on locations and I loved that the gigs took me all around the country and into parties, that quite honestly I’d never make it into under normal circumstances…

After a few years something changed and I stopped. It no longer felt that creative, I felt repetition was seeping into my work and I hated it. That along with the fact that, in the internet age many music publications were either falling under or losing all of their budget, seemed to make it a difficult career to maintain. That’s not to mention the endless list of photographers who are prepared to shoot their idols free of charge. (I don’t blame them by the way, that’s how I started).

Every now again I’ll get offered to shoot a live band, and if it’s something that interests me it’s something I’ll do. Simple as that. When I start to shoot the right band (for me) it does something to me. It takes me back. It reminds me of why I love music so much, and sometimes it even gives me the “bug” to do it all again. That “bug” is usually met the following morning with a hangover and the realization that a life spent in London depresses me more than anything at this current time.

Still, those times, those gigs and those bands remind me of something bigger. Something better. They make photography exciting. The same way it was all of those years ago. Music and photography are two of the most important parts of my life. They are so incredibly ingrained in my personality and my culture.

Sometimes the music industry as a whole depresses me. I look and listen to new bands and they just don’t talk to me. They don’t reach out to me. I’m very aware that this is absolutely because I’m getting older, and typically these bands aren’t meant to speak to me. But when you hear a band you love (new or old) and you’re front row ready to capture that moment, there’s simply nothing better.

Failed Projects and Creative Culls…

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Noir Hotel Portrait – Taken on iPhone – October 25th 2015.

I hate admitting defeat. I hate giving up. But as far as my work goes if I feel something isn’t working or that something’s having a negative impact on my work I’ll always pull the proverbial plug. And that’s what I have to do here… The 365 Project just wasn’t for me. It’s changed the way I shoot – I shoot more, undoubtedly, but it wasn’t working. It just didn’t sync with my own creative process.

I don’t “share” photographs easily. I think about it and probably overthink it – before I post anything. This was my trouble with the 365 project. I went to Birmingham for a few days last week. I came back and there was about 5 photographs on my iPhone that I really liked and wanted to share. The trouble? I had to dwindle it down to 1. But then, the next day (I took a day off) I didn’t really have anything so I had to settle for some half arsed snapshot I went out to take. That’s the part that will never work for me. I feel it degrades the integrity of the photography. It’s sharing for the sake of sharing.

Ive changed the website to better reflect what I want to achieve. I want it to be a kind of photographic journal. The same kind of imagery; iPhone shots of things I see, concepts and portraits etc. But now I no longer feel restrained by the ‘what’ and ‘when’ I post. I still plan on updating the site frequently – at least 4-5 times per week but I’ll be a little more methodical with it. It will hopefully now be a site that I feel reflects me and my work.

Anyway, I’d love to get your thoughts on this, so please take a look at the site at: http://beebee-see.tumblr.com/

My Portrait Philosophy

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The following is a recent article I wrote for Bro&Brew

My Philosophy of a Portrait.

These days I frequently lecture on photography and truth be told for a man that hated being educated I actually quite enjoy it… But lets keep that between us bro’s.

At the end of my lectures I always open it up for any questions. One of the questions I often get is ‘What’s your favourite portrait you’ve taken?‘ It of course, isn’t an easy question to answer because my favourite portrait is usually my most recent one so it obviously changes on a regular basis.

Like in all art, I like my portraits to have some narrative and context. As of 9th July my favourite portrait is this one on the top of this article of my partner Emma…

Lets face facts, it can’t be easy going out with a photographer and having the constant threat of a camera being waved in your face – or being woken up at ridiculous AM with the words “wake up, I’ve got an idea”.

Anyway… back to narrative… My girlfriend, Emma went on a night out with some friends. The theme was  ‘cheerleaders’. To say Emma didn’t have a good night would be an understatement. But that’s not my story to tell so I won’t. The next day the cheerleader outfit was dumped unceremoniously in the bin. I looked at it and thought it needed a portrait. Something that would portray not just the outfit but the destruction of it. The photograph is real – it was her outfit, my girlfriend – stood in her bedroom. None of the surroundings were fabricated – that is something that has always been of great importance to me. Why try and recreate something that’s already there?

I want to be clear, there was no blood spilt that night but I wanted the image to show the inevitable hurt of a girls night out gone wrong. A night that ends in drama, disappointment, and an argument alongside a 3.00am “please come and get me” phone call.

I guess this gives it a personal touch. Apart from those of you fine people who have read this – most people will look at it and simply see a photograph of a woman covered in blood. I look at it and I see a memory. An evening. A real thing. Something that lives with or without photography. It’s that word I always speak of. I ramble on about. Yes, it’s that word: context.

Carl Beebee. (Photographer, Lecturer, Co-founder of Bro&Brew.

Bro&Brew

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Bro&Brew has now launched – if you’re an artist or writer please head to the site and go to the SUBMIT page if you’d like to have your work featured…

For my part – I’m going to be shooting a new model each month for the online version of the magazine. Above is 2 images from my first shoot with model Phoenix Ra.

Please go check out the site – it’s still a work in progress but any feedback would be greatly received.

www.broandbrew.com

Bro&Brew

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Along with some fellow artists I am in the process of launching ‘Bro&Brew’. The company will act act as an artist promoter, book publisher as well as an online and printed magazine… You’ll be seeing the logo creep up on a lot of my work and sites etc from now on…

We are currently searching for artists, writers, photographers, instagrammers to submit work to be featured in the magazine.

To help explain it a little better here is the information that will be placed on the ‘about’ page once the site is live:

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Bro&Brew is the brain child of international photographer Carl Beebee and illustrator Emma-Loiuse Gibbons. It is also backed by some very kind, friendly associates and bro’s who for the time being would rather remain nameless…

It is a network for conceptual and narrative based art. It is publishing house for fine art books. It is a promoter of artists as well as an online and print publication. It is the company we always wanted to work with. It is the hellraiser of the art community. It is a place where artists, writers and generally creative people can submit their work.

Our manifesto is simple…

Be cool, be edgy and be different. That’s it. The only guideline. We realise lots of people like landscape photography and pretty watercolour paintings of river sides – there’s lots of sites that publish that content. This isn’t, and never will be one one of them.

If you have created some artwork, writing, music that you feel fits our ethos please head on over to our contact page and submit some bits and pieces for consideration.

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Please head on over to www.broandbrew.com to keep updated and to submit work. We have also launched a Instagram page that can keep you updated with cool news and projects etc so please check it out by clicking here.

Cheers.