Underwater…

September 4, 2017 § Leave a comment

Here’s a little shot I managed to get at the end of a shoot the other day…

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A company I was working for had hired a pool to do a fashion shoot there. The pool had really been hired to shoot around it, but once we’d finished we still had over half hour left on the clock. I grabbed my GoPro, asked one of the models to put a floaty dress on and began to hold my breath and shoot underwater… Considering the lack of available light I’m really pleased with the shot. In fact, I think there’s something quite haunting about it.

Amazing what you can do with a little free time, a small amount of light and an undertsanding model… Here’s a few behind the scenes iPhone pics from the shoot.

 

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A Photographers Love of Polaroids: An Instant Love Affair.

April 28, 2017 § Leave a comment

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If I spoke to ten different photographers from ten different backgrounds, working within ten different areas of the field, I would hazard a guess that at least eight of them would have a love for the instant photograph. Whether it be the age-old chemical process of the Polaroid or the (relatively) new electronic mechanism of the Instax. They probably wouldn’t be able to explain their love or fully understand it themselves. Like a married person in the heat of an affair. Unable to comprehend it, or explain it but fascinated by it. Drawn to it.

For me, I think it’s the physical attribute of the process. It is the anti-digital but with the same immediate result. Look through the viewfinder, release the shutter, and seconds later you are holding a physical print. Something to keep, to frame, to use as a bookmark or prop up on a shelf. It gives you an instant sense of ownership, something that will live with you. In a similar way that the 12” records from the 60s and 70s look like they have been lived with – they look like they could tell a story. Every crease and coffee stain revealing something else. Put this in comparison to shooting 35mm film and it’s easy to understand the love of the instant. For most people – or at least those like me who don’t own darkrooms, you can shoot a roll of film and wait up to a week for the prints to arrive with you. It’s somehow just not the same for me. It doesn’t have the same substance. I feel a little withdrawn from the process of it.

A few months ago I went away for a weekend with my Wife, I decided to document the trip on the Fuji Instax Mini (discussed in this blog post). I took approximately 40 exposures, and those photographs have already been looked at dozens more times that the equivalent would have been – ten to twenty photographs lurking in a gallery on my iPhone. Pushed further and further down the gallery with each click of the shutter and with each screenshot.

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I like things in my life that are unpredictable. Nights out, late nights, work projects. Unpredictability fascinates me. That’s what instant film offers. It’s like the unplanned “quick pint” with your friend that ends with a 4.00 am drinking session and an almighty hangover. You’ll never know what you’re going to get with instant film. You can do your best to create the “perfect” shot. Check your lighting, stage your subject, but I can almost guarantee you won’t get the same results twice. With limited to no control over exposure, ISO, and shutter speed, and without the ability to look through a single lens, every image will be different. Each will have it’s own personality. It’s own failings and equally it’s own brilliance.

This is nothing new, photographers have been fascinated with instant film since it came to light. Professionals used it, families used it. There would have been countless nude photographs taken of partners, hidden at the bottom of drawers during a time where instant photography was the only private photography.

Maybe all of that is part of it’s charm. Today there are artists who only shoot on instant film. I truly admire that but have to admit it’s not something I could do. After a week or so I’m always pretty happy to go back to the comfort of my DSLR, like the cheating partner walking back through the door of his house. It feels like going home.

When you think of instant film it’s hard not to think of the resurgence of analogue. Vinyl is back in record stores and outselling physical CD’s. It’s a throwback to a simpler time, a time when “things” meant something. A time where things weren’t thrown away. A time where not everything was considered disposable.

– Carl Beebee.

An Autopsy of Rural England.

April 26, 2017 § Leave a comment

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**A new and ongoing photography project**

Come to Herefordshire and you’ll be surprised by its natural beauty, the green fields, untouched landscapes and the tranquility of the idyllic market towns and villages, where people try desperately to grasp onto a time and period that has all but passed. You will probably fall in love with Herefordshire and remark to your nearest and dearest how it’s such a wonderful place to visit. You may even want to retire here…

But dig a little deeper, cut it open and you might find a very different story. A very different county. You might find a story of the lowest wages in the West Midlands, a story of constant compromise, a story of a Tory seat that has largely been unopposed for the last two decades. Cut deeper and you will see a county that has placed all of its funding into one city centre. A failed regeneration that has left everywhere else behind it, in its murky shadow. You’ll find quiet streets – and I don’t mean in the tranquil way you may think of – but in a way where a lack of true investment, opportunity and a disposable income has emptied the streets until they look like a damaged Hopper painting.

This project is not about the people here. By large, the people here are good, honest and hard working. There are of course people who do not want change. They don’t understand it. There are also plenty of the “love it or leave it” brigade and there are people who undoubtedly deserve better. People who have been let down by a place where social injustice is being pushed into the very forefront.

Herefordshire is of course beautiful too. There are countless books and postcards to demonstrate that. There is an undeniable charm here, but the things and places that will be photographed for this project, unlike other counties, are not hidden. They are not relegated to the back streets, they are on our doorsteps, outside of our houses, in our town centres. Unhidden, unapologetic and in plain view. They are a constant reminder of an unbalanced county and an unbalanced economy. It is compromised and frequent, it is every part of our county. It is in equal measure to the beauty, the charm and the silence.

Look past the natural beauty and the over marketed history and you’ll see it. Clear as day. A political commentary? Perhaps. But it will be a definite and honest autopsy of the place I call home.

– Carl Beebee.

FATALE – an explanation?

March 1, 2017 § Leave a comment

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I’m currently working on my new photographic book ‘FATALE” which is set to be released and distributed in hard back format, internationally by the end of the year.

I’ve had a few questions asking what the book is, and it’s not an easy one to explain, but I’m going to try my best here…

FATALE will feature over 50 women in a studio and location environment. When you think of a Femme Fatale, your mind will likely wander to the women of the silver screen during the golden age of Hollywood. Whilst Ive definitely borrowed from that era, that’s not it. The women in the book are all strong women. Some are professional models, some are women that have never been photographed before, some are friends and some are strangers. These are the real fatale’s of 2017. The woman who lives next door, the woman who has three children, the woman who you innocently see walking down the street…

The images are sexy and cool but they have an angst to them. An edge. If I had to describe this book using only a few words, I would simply say it’s “fuck you Hollywood”. It’s anti advertising but just as sexy. It is the provocative nature of the unknown and the “ordinary”. It is seduction without compromise…

If you’re in the UK and interested in shooting and appearing in the FATALE book please contact me via my website at www.carlbeebee.com

– Carl.

Saal Digital Review – Photobook.

September 2, 2016 § Leave a comment

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I’ve been looking for somewhere to print a small run of photo books for a while now – with the idea of self publishing a small book to sell exclusively at exhibitions etc. After seeing a featured add from Saal Digital on Instagram I decided to check them out…

I downloaded their software and eventually decided on a glossy 19 x 19 book with approximately 30 pages…

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The software was really simple to use, but much more importantly it was effective. A simple case of ‘drag and drop’ for the files you want to use – all embedded into the software at high resolution. There are many templates available within the program but I opted for either their ‘blank’ or ‘double’ pages. A note here: the double pages look incredible! No loss of image within the fold or crease at all, which means your images are seen how they are meant to be!

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Once completed you simply upload your final design, choose your shipping method and pay. The book took about a week to arrive, and I have to say I was so impressed. The quality of the product is exceptional. All too often as a photographer, I’ve uploaded images to print, only to be left disappointed with the quality. That’s certainly not the case with these photo books. They look and feel great. Thick pages with a high gloss finish really make the book stand out.

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Over the years (too many to mention) I’ve tried and used many publishing tools to create books to self publish, but Saal Digital are definitely the best for ease of use, quality of the product and delivery/shipping times.

For more information on their products head on over to www.saal-digital.co.uk

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Live Music Photography

August 23, 2016 § Leave a comment

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When I started taking photographs (all those years ago) I used to take a lot of band portraits and live sets. It made sense, I had friends who had good reputations in the music industry, so bands were the very people that were accessible to me. For years, this is what I specialized in, picking up commissions from music magazines such as NME, Kerrang!, Metal Hammer and Rock Sound etc. I loved the work, as at the time I felt it allowed a creativeness that you didn’t really see in more commercial photography. I loved doing the promo shoots on locations and I loved that the gigs took me all around the country and into parties, that quite honestly I’d never make it into under normal circumstances…

After a few years something changed and I stopped. It no longer felt that creative, I felt repetition was seeping into my work and I hated it. That along with the fact that, in the internet age many music publications were either falling under or losing all of their budget, seemed to make it a difficult career to maintain. That’s not to mention the endless list of photographers who are prepared to shoot their idols free of charge. (I don’t blame them by the way, that’s how I started).

Every now again I’ll get offered to shoot a live band, and if it’s something that interests me it’s something I’ll do. Simple as that. When I start to shoot the right band (for me) it does something to me. It takes me back. It reminds me of why I love music so much, and sometimes it even gives me the “bug” to do it all again. That “bug” is usually met the following morning with a hangover and the realization that a life spent in London depresses me more than anything at this current time.

Still, those times, those gigs and those bands remind me of something bigger. Something better. They make photography exciting. The same way it was all of those years ago. Music and photography are two of the most important parts of my life. They are so incredibly ingrained in my personality and my culture.

Sometimes the music industry as a whole depresses me. I look and listen to new bands and they just don’t talk to me. They don’t reach out to me. I’m very aware that this is absolutely because I’m getting older, and typically these bands aren’t meant to speak to me. But when you hear a band you love (new or old) and you’re front row ready to capture that moment, there’s simply nothing better.

Previously on 365…

October 2, 2015 § Leave a comment

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011/365 – Geisha.

So I am only day 12 into my 365 project and I have to say I’m finding it more difficult than I first considered… Although, I guess it’s inevitable, I’m really trying to stay away from “point and shoot” images. I’m doing my best to work on the photographs each day; come up with an idea and concept and shoot it. For obvious reasons – the main one being time – this is much easier said than done.

The image above was taken on my Pentax DSLR yesterday and it’s one of my favorite images of the project so far. It’s deliberately under exposed and shot on RAW as I wanted a dark, grungey and grainy effect for the shoot. For this image I just used one flash light to the side of the model.

I’m trying to be very varied in the photographs I’m shooting for the project – mixing up iPhone shots and DSLR shots.

However, make no mistake, even so early on I can see the benefits of this project. Even on days where I am full up with meetings and editing etc I’m still “forced” to shoot, and enter the creative process. I remain pretty determined to see the project through. Already there are some photographs I prefer to others which I guess is natural. On the flip side of that there are photographs I’ve taken for it that have really grown on me. I’m also keeping a journal and entering information each evening about that days photograph; just things like how I shot it, how I feel about it. I’m finding this very handy as it helps me keep track of what I’ve shot and what I need to focus on. It will also be a real benefit if I decide to publish this in print at any point.

You can see my 365 project at: http://beebee365.tumblr.com/

Thanks for reading.

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