The above print is something I worked on last weekend. I had it professionally retouched and I’m really pleased with it…
Today I’v also (finally!) opened an online store selling digital prints of my images. There’s only one on there so far but I promise I’ll be adding more soon…
If you’d like to check out the print(s) please visit my Etsy store by clicking here.
It was 1980 and The Buggles burst into a verse of “Video killed the radio star”. It sounded like a warning, a premonition and a war cry all in one. Just one year later MTV launched and it would go onto become a phenomenon and video did indeed kill the radio star… Of course radio was still around and still relevant for that matter, it was just no longer necessary for an artist or band to “make it”. They had other outputs, other ways. The “look” and appearance of a band had never been more important. Flamboyancy took over. Whilst commercial radio continues to exist to this day, I would think a band or artist are more likely to be discovered on a podcast, or a Spotify playlist as far as audible measures are concerned. Of course the music video is possibly more important than ever with the runaway, commercial success of YouTube.
When I saw that the original Netflix film ‘Rome’ had been Oscar nominated it made me ask if the age of cinema is coming to an end. Perhaps with escalating prices, Hollywood embarrassments and scandals along with streaming service providers offering genuine content, it can now be said that streaming is going to kill the movie star. You have to believe people in Hollywood can see it themselves. There has recently been a host of what would be considered Hollywood golden A stars signing up to do movies and tv series on streaming services. What if this is their curve point? They tried 3D to make the cinema experience more interactive but in reality, it only had limited success – if you need glasses to watch a movie – try putting your specs, over your specs. Or maybe you could pay thirty bucks for you and your partner to sit in a room next to the annoying person who needs a toilet break every three minutes in between eating his nachos, checking his phone and talking to his partner… It’s not going to be an easy task for them is it? Can the Hollywood elite turn it around, when the tide seems to be ever changing against them?
£10 a month for Netflix is great value for money and the content is constantly updating and changing. It is actually their original content that has always been invaluable to gaining me as a customer (or consumer). In the last decade or so, I can’t help but think the movie industry has had ample chances to turn it around, but have largely failed every time. Similar plots, the same old tired actors been cast as the same old, tired characters. Sequel after sequel after sequel with little or no emphasis placed on either young film makers or female writers/directors?
Surely it stands to reason that the next and future generations of filmmakers don’t have a cinema release within their dreams, but a Netlfix release?
This past Christmas my wife bought me the MiNT Camera TL70 – a twin lens reflex camera that shoots on Fujifilm Instax Mini film. It’s a beautiful looking camera, modelled and designed on the vintage twin lens camera systems.
The camera, has a aperture range of f5.6 to f.22 and boasts a shutter speed range of of 1/500 – 1 second in Automatic mode and up to 10 seconds in Bulb mode.
Since having the camera I’ve mostly shot fashion shoots with my wife as well as snapshots whilst out walking, as I’ve not yet felt confident enough to use the camera in a pro shoot. In fact, after shooting approximately 8 rolls of film, I think it’s only now that I’m getting used to the cameras capabilities and limits – both of which, there are many.
I absolutely adore this camera but it definitely has its quirks. Focusing, can at times be difficult, but if you get the focus right, with enough light, the f5.6 aperture can look incredible. In fact I would definitely suggest it has been worth the perseverance.
I have long loved Polaroid film and instant photography in general – I think it’s about having something physical and present in your hand as soon as the shutter is released. Watching the image appear – just like I did in a darkroom all those years ago, has never lost it’s magic for me. It’s one of those things that can remind you of why you fell in love with photography in the first place. I think personally for me recently Polaroid film has just outpriced itself somewhat – I still love the square format but at almost £20 for 8 exposures, I find it hard to compete with the Instax at £15 for twenty – and sometimes cheaper.
My portraits have definitely got better, the more I have come to understand the camera. Just below is one of the very first portraits I took with the Fujifilm black and white Instax film, and to the right of it is one of the latest images I have taken – both on the sytems f5.6 aperture.
There’s a definite “mood” to the portraits it takes which I really like.
In a world where everyone has a camera in their pocket – the MiNT is a definite conversation starter. I’ve been asked about the camera on several occasions whilst out shooting. Good or bad (good in my case) it’s probably about as “hipster” as it gets!
If you’re someone who likes to shoot Instax film, ‘d definitely recommend this camera. Quirks and all – it is just so much fun to use for portraiture and still life.
You can follow my adventures with my mint on my specific Instagram page here.
“What do you shoot?” If you’re a photographer how often have you been asked that question? Or even the dreaded one; “What sort of a photographer are you?” I’m never sure how to answer it – Umm… the best one I can be?
We’re guilty of it too. We constantly try and put fellow professionals into boxes, genres and categories. “Oh, she’s an art photographer”or “he’s a wildlife photographer” and so on. I’s taken me almost 15 years in the industry and getting to the grand old age of 38 to realise we can be all things, without the need for explanation. The things I shoot tend to be very varied. I guess most of my living has come from “art” photography, but my first nationally published book would be considered more landscape photography than art photography.
You see, fashion, art and travel are the genres that interest me, so of course that’s what I want to shoot, that’s what I want to share. I no longer buy into the ideology of having a style or genre. Why limit myself? Fuck it! I might head off to work on a Monday morning to shoot a model for a portfolio or an advertising camapaign and I might be in Berlin the week after shooting travel images. I want to shoot the things I love to shoot. No boundaries, no questions. So as I roar into my forties (hey, it’s only a year and a bit away) I have dedicated myself to shooting what I want, when I want.
So maybe the next time someone asks me “What do you shoot?” I can simply reply with “Anything I want to”.
I made a decision a few days ago… For years now I’ve been shooting models, not just for standard portraiture work but for my conceptual work too. I’ve decided recently, that rather than models I’m now going to try and shoot my conceptual work with actors and actresses.
My favourite work to produce is work that has a narrative. Images that offer a glimpse of a story. For me that’s why it makes complete sense to work with actors. Because that’s exactly what they want to achieve. They are natural born story tellers. They will understand what I mean by emotion. By fear, sadness or confusion. They’ll get it immediately because it’s something that is asked of them every day.
I have a few ideas for new shots I want to create, and they are very much what I’d describe as “narrative shots”. Where as I’d normally work with a model I know or have worked with before, or post a casting call on Model Mayhem, I have this time decided to post the casting call on ‘Star Now’ and specifically seek out male and female actors. So far I’ve had lots of casting submissions from people, so I can’t wait to get started! As part of this series we are also going to be creating some YouTube exclusive, behind the scenes videos, which will include interviews with everyone involved as well as footage of the actual shoot.
I’m really hoping this will start a new chapter in my creative work, and I hope you all enjoy the images as I come to share them…
Thanks for reading. Fade to black…
In 2001 Carl Beebee decided to attend College and signed up for a photography course, he could have only imagined that 15 years, and a lot of hard work later, he would be a successful and sought after photographer…
Carl has made a name for himself with tenacity, determination and talent.
He’s exhibited in New York, London, Toronto, Chicago and will soon be breaking ground in Hong Kong.
After the success of his first book ‘California Calling’ (an Amazon Best Seller) his next project felt like it needed to be closer to home. ‘FATALE’ sees a variety of 50 different women – all powerful, all beautiful, and all from different walks of life. He’s shooting professional models along side of the girl who pours your pints, and the lady that cuts your hair. This book, in its essence, is a celebration of women- an empowerment of the female form. It’s anti advertising; a great big middle finger to Hollywood, almost the antithesis of the bright lights and sunshine of California.
It has a dark and gritty heart that says ‘I’m beautiful and I’m pissed off and I have every right to be so’.
More information including release dates and ISBN will be available soon.