An Autopsy of Rural England.

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**A new and ongoing photography project**

Come to Herefordshire and you’ll be surprised by its natural beauty, the green fields, untouched landscapes and the tranquility of the idyllic market towns and villages, where people try desperately to grasp onto a time and period that has all but passed. You will probably fall in love with Herefordshire and remark to your nearest and dearest how it’s such a wonderful place to visit. You may even want to retire here…

But dig a little deeper, cut it open and you might find a very different story. A very different county. You might find a story of the lowest wages in the West Midlands, a story of constant compromise, a story of a Tory seat that has largely been unopposed for the last two decades. Cut deeper and you will see a county that has placed all of its funding into one city centre. A failed regeneration that has left everywhere else behind it, in its murky shadow. You’ll find quiet streets – and I don’t mean in the tranquil way you may think of – but in a way where a lack of true investment, opportunity and a disposable income has emptied the streets until they look like a damaged Hopper painting.

This project is not about the people here. By large, the people here are good, honest and hard working. There are of course people who do not want change. They don’t understand it. There are also plenty of the “love it or leave it” brigade and there are people who undoubtedly deserve better. People who have been let down by a place where social injustice is being pushed into the very forefront.

Herefordshire is of course beautiful too. There are countless books and postcards to demonstrate that. There is an undeniable charm here, but the things and places that will be photographed for this project, unlike other counties, are not hidden. They are not relegated to the back streets, they are on our doorsteps, outside of our houses, in our town centres. Unhidden, unapologetic and in plain view. They are a constant reminder of an unbalanced county and an unbalanced economy. It is compromised and frequent, it is every part of our county. It is in equal measure to the beauty, the charm and the silence.

Look past the natural beauty and the over marketed history and you’ll see it. Clear as day. A political commentary? Perhaps. But it will be a definite and honest autopsy of the place I call home.

– Carl Beebee.

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Saal Digital Review – Photobook.

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I’ve been looking for somewhere to print a small run of photo books for a while now – with the idea of self publishing a small book to sell exclusively at exhibitions etc. After seeing a featured add from Saal Digital on Instagram I decided to check them out…

I downloaded their software and eventually decided on a glossy 19 x 19 book with approximately 30 pages…

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The software was really simple to use, but much more importantly it was effective. A simple case of ‘drag and drop’ for the files you want to use – all embedded into the software at high resolution. There are many templates available within the program but I opted for either their ‘blank’ or ‘double’ pages. A note here: the double pages look incredible! No loss of image within the fold or crease at all, which means your images are seen how they are meant to be!

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Once completed you simply upload your final design, choose your shipping method and pay. The book took about a week to arrive, and I have to say I was so impressed. The quality of the product is exceptional. All too often as a photographer, I’ve uploaded images to print, only to be left disappointed with the quality. That’s certainly not the case with these photo books. They look and feel great. Thick pages with a high gloss finish really make the book stand out.

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Over the years (too many to mention) I’ve tried and used many publishing tools to create books to self publish, but Saal Digital are definitely the best for ease of use, quality of the product and delivery/shipping times.

For more information on their products head on over to www.saal-digital.co.uk

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Live Music Photography

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When I started taking photographs (all those years ago) I used to take a lot of band portraits and live sets. It made sense, I had friends who had good reputations in the music industry, so bands were the very people that were accessible to me. For years, this is what I specialized in, picking up commissions from music magazines such as NME, Kerrang!, Metal Hammer and Rock Sound etc. I loved the work, as at the time I felt it allowed a creativeness that you didn’t really see in more commercial photography. I loved doing the promo shoots on locations and I loved that the gigs took me all around the country and into parties, that quite honestly I’d never make it into under normal circumstances…

After a few years something changed and I stopped. It no longer felt that creative, I felt repetition was seeping into my work and I hated it. That along with the fact that, in the internet age many music publications were either falling under or losing all of their budget, seemed to make it a difficult career to maintain. That’s not to mention the endless list of photographers who are prepared to shoot their idols free of charge. (I don’t blame them by the way, that’s how I started).

Every now again I’ll get offered to shoot a live band, and if it’s something that interests me it’s something I’ll do. Simple as that. When I start to shoot the right band (for me) it does something to me. It takes me back. It reminds me of why I love music so much, and sometimes it even gives me the “bug” to do it all again. That “bug” is usually met the following morning with a hangover and the realization that a life spent in London depresses me more than anything at this current time.

Still, those times, those gigs and those bands remind me of something bigger. Something better. They make photography exciting. The same way it was all of those years ago. Music and photography are two of the most important parts of my life. They are so incredibly ingrained in my personality and my culture.

Sometimes the music industry as a whole depresses me. I look and listen to new bands and they just don’t talk to me. They don’t reach out to me. I’m very aware that this is absolutely because I’m getting older, and typically these bands aren’t meant to speak to me. But when you hear a band you love (new or old) and you’re front row ready to capture that moment, there’s simply nothing better.

iPad. Workflows.

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iPad Collaboration with Emma-Louise Gibbons.

So, I made somewhat of a big switch recently. After watching hours of YouTube videos and reading everything I could find I purchased an iPad Pro and Apple pencil with the intention of completely changing my workflow so I could constantly have my “editing suite” with me.

Installed on my iPad from Adobe CC I have Adobe Fix, Adobe PS and Adobe Mix as well as third party programs such as VCSO and Enlight.

The shot above was actually shot on the iPad, edited on the iPad and then “drawn on” using Adobe Sketch on the device…

It took a while. It was a huge learning curve for me but I’m delighted with the results. I absolutely love editing images on the iPad, and in truth, I’ve barely used my MAC since.

There are downfalls. The file handling is somewhat frustrating as you’re restricted to the built in Camera Roll. So for example, if I take an image into Adobe Fix, work on it then it exports the image to Camera Roll. I then want to edit in VSCO, so I do just that it, save it and it exports to Camera Roll. All of a sudden I have 3 varied images all on my machine. Not so much of a problem if you’re just handling 1 image at a time, but for larger shoots with 100+ photographs it can become somewhat confusing. I almost wish there was a way to overwrite previous versions of the image on saved to the Camera Roll. Despite all of this though I don’t think I’ll ever go back. I love the handling, and the precision the Apple Pencil gives you and having it on the rad with me, at every shoot, on every train etc has been a massive time saver.

With news that the next OS update will give the option to handle true RAW files (not through a  conversion in Lightroom mobile) I only see it becoming more and more of a “must have” tool for professional photographers.

Photography as a memory.

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When photography is your day to day “job” I think it becomes increasingly difficult at times to remember one of it’s most important uses; the ability to capture time and create a memory.

In a few short weeks myself and my girlfriend will be married, selfies aside I have very few (deliberate) pictures of us together that I really love, because after the completion of commissions, traveling and the general burden of day to day life, I often never get around to setting shots up. I get home and my camera is packed away until the next job.

I’m starting to make a real conscious effort to change this, because I want to remember this time in an artistic way. I want to look back in ten, twenty years time and remember what we looked like, what we wore, what our apartment was like etc. I want to remember the details. I want to have proof of them.

Although the photograph above is “staged” and stylized it is very ‘us’. This is how we hang out, this is what we do. This is our house. These are all of the details that I want printed in my memory.

I’ve tried these personal projects before, and honestly most of the time I have failed miserably, but I intend to start “creating” a photograph of the two of us once a week. Some of them I will post, some of them will remain private. But I’ll have them. To keep. To remember. To check. To look back on when tomorrow becomes yesterday.

Bro&Brew

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Bro&Brew has now launched – if you’re an artist or writer please head to the site and go to the SUBMIT page if you’d like to have your work featured…

For my part – I’m going to be shooting a new model each month for the online version of the magazine. Above is 2 images from my first shoot with model Phoenix Ra.

Please go check out the site – it’s still a work in progress but any feedback would be greatly received.

www.broandbrew.com

Revisiting Previous Shoots…

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Recently, I had to back up all of my work and Lightroom catalogues so I decided to use the opportunity to re-edit some older images…

It’s strange I’ve been working on photographs from shoots that perhaps originally I ignored or skimmed past.

I didn’t just want these new edits stuck in a folder on my MAC so I made the decision to post one per day on my Instagram profile: http://www.instagram.com/carlbeebee ( @carlbeebee )

The shot above is from a home studio session with model Jo Fry I shot a couple of years ago. There’s a fair few images from that shoot that I’ve used in various portfolios and marketing etc – but to my knowledge this is the first time this particular shot has been edited and uploaded anywhere online…

I hope you like some of the images and hopefully it will inspire others to actually have a proper look through some of their older images – it may just surprise you!

Thanks for reading…