iPad. Workflows.

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iPad Collaboration with Emma-Louise Gibbons.

So, I made somewhat of a big switch recently. After watching hours of YouTube videos and reading everything I could find I purchased an iPad Pro and Apple pencil with the intention of completely changing my workflow so I could constantly have my “editing suite” with me.

Installed on my iPad from Adobe CC I have Adobe Fix, Adobe PS and Adobe Mix as well as third party programs such as VCSO and Enlight.

The shot above was actually shot on the iPad, edited on the iPad and then “drawn on” using Adobe Sketch on the device…

It took a while. It was a huge learning curve for me but I’m delighted with the results. I absolutely love editing images on the iPad, and in truth, I’ve barely used my MAC since.

There are downfalls. The file handling is somewhat frustrating as you’re restricted to the built in Camera Roll. So for example, if I take an image into Adobe Fix, work on it then it exports the image to Camera Roll. I then want to edit in VSCO, so I do just that it, save it and it exports to Camera Roll. All of a sudden I have 3 varied images all on my machine. Not so much of a problem if you’re just handling 1 image at a time, but for larger shoots with 100+ photographs it can become somewhat confusing. I almost wish there was a way to overwrite previous versions of the image on saved to the Camera Roll. Despite all of this though I don’t think I’ll ever go back. I love the handling, and the precision the Apple Pencil gives you and having it on the rad with me, at every shoot, on every train etc has been a massive time saver.

With news that the next OS update will give the option to handle true RAW files (not through a  conversion in Lightroom mobile) I only see it becoming more and more of a “must have” tool for professional photographers.

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Photography as a memory.

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11.08.2016. Fuji. VSCO.

When photography is your day to day “job” I think it becomes increasingly difficult at times to remember one of it’s most important uses; the ability to capture time and create a memory.

In a few short weeks myself and my girlfriend will be married, selfies aside I have very few (deliberate) pictures of us together that I really love, because after the completion of commissions, traveling and the general burden of day to day life, I often never get around to setting shots up. I get home and my camera is packed away until the next job.

I’m starting to make a real conscious effort to change this, because I want to remember this time in an artistic way. I want to look back in ten, twenty years time and remember what we looked like, what we wore, what our apartment was like etc. I want to remember the details. I want to have proof of them.

Although the photograph above is “staged” and stylized it is very ‘us’. This is how we hang out, this is what we do. This is our house. These are all of the details that I want printed in my memory.

I’ve tried these personal projects before, and honestly most of the time I have failed miserably, but I intend to start “creating” a photograph of the two of us once a week. Some of them I will post, some of them will remain private. But I’ll have them. To keep. To remember. To check. To look back on when tomorrow becomes yesterday.

Bro&Brew

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Bro&Brew has now launched – if you’re an artist or writer please head to the site and go to the SUBMIT page if you’d like to have your work featured…

For my part – I’m going to be shooting a new model each month for the online version of the magazine. Above is 2 images from my first shoot with model Phoenix Ra.

Please go check out the site – it’s still a work in progress but any feedback would be greatly received.

www.broandbrew.com

Film Stills and Philosophy. Blogging ain’t easy….

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Ok, ok, ok… So first off I need to apologise for the recent absence of my blog. I seem to spend all my time either too busy to blog or simply not motivated enough to. Hence – blogging ain’t easy.

I have, however, been working on a couple of projects recently. ‘Trash Tuesday – The Film Stills’ will go live on my website within the next couple of weeks. There’s a taster image above but in total there will be approximately 20 images in the collection. I wanted to something a little different, and I have to say I’m really pleased with the results. Each image represents a single frame from a film – It is not the intention of the images to offer any answers. I am much more concerned with the questions.

Starting next month I’ll be writing a fortnightly column for a magazine – although each column will be about photography don’t expect any tech info or testing etc. The column will completely be the philosophy of photography, my experiences within the industry and other rants and rumblings. They’re not going to be to everybody’s taste and I don’t mind that – but I’ll be posting them on here anyway. I hope some of you enjoy them and partake in the conversation via the comments section…

As always, thanks for reading.

Revisiting Previous Shoots…

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Recently, I had to back up all of my work and Lightroom catalogues so I decided to use the opportunity to re-edit some older images…

It’s strange I’ve been working on photographs from shoots that perhaps originally I ignored or skimmed past.

I didn’t just want these new edits stuck in a folder on my MAC so I made the decision to post one per day on my Instagram profile: http://www.instagram.com/carlbeebee ( @carlbeebee )

The shot above is from a home studio session with model Jo Fry I shot a couple of years ago. There’s a fair few images from that shoot that I’ve used in various portfolios and marketing etc – but to my knowledge this is the first time this particular shot has been edited and uploaded anywhere online…

I hope you like some of the images and hopefully it will inspire others to actually have a proper look through some of their older images – it may just surprise you!

Thanks for reading…

Censorship… My Take.

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Image from the series ‘Fade To Black’ by Carl Beebee. 2014.

I recently read an article on the popular photography website fstoppers.com called “Censorship is Good for Photography. Seriously” The article explains, or rather argues, why censorship in photography is a good thing. It is of course the writers opinion and he offers valid points. But to me it is not a good thing. It is something that restricts creativity, opinion and thoughts. It simply holds artists back!

I want to make it clear here; i’m not in anyway supporting illegal images – only images that fall within the law. I’m also not talking about classification – where it is important to fall within age restrictions etc. If an image is “not safe for work” does that make it wrong? If it’s labelled “not safe for work” or ‘NSFW’ then to me it is fair game. It is after all, at the heart of it, personal preference. If someone wants to put the word “fuck” across their image is it inappropriate? Should it be censored?

I think we live in a world where we should all be able to offer our opinion with freedom and creativity. Surely, it’s a simple rule? – if you don’t like what you see then look away. Galleries, curators and the press already put so many restrictions on artists I feel that at times it prevents said artists from creating the work they actually want to create. As soon as that happens then they have lost their voice.

It’s so important to believe in your work, regardless of others opinions or thoughts. It has to have an honesty and an integrity to it in order for the artist to be themselves – not just as an artist but as a person. It is this trait that will blends personality into the work.

How will history view the censorship of photography? Well, look back in time at Hollywood – films such as ‘The Exorcist’, ‘Clockwork Orange’ and ‘The Texas Chain Saw Massacre’ were all banned in certain regions and countries. Today they have been re-introduced and are widely available – but perhaps more importantly, each in their own form is considered ground breaking and important. That is perhaps the biggest lesson to be learnt and the reason why I will always say “Censorship is bad for photography. Seriously.”

Burnt (expired) Polaroid & California

Copyright 2013 - All Rights Reserved.
Burnt Polaroid by Carl Beebee – Copyright 2013.

This is an image from circa 2004 – it’s a Polaroid of a nude woman (Jenni Knight) taken on extremely expired film.

The high quality digital scan at 30 x 30 cm is now available on Saatchi Online (limited edition of 10)

The California trip is now just a few weeks away – so to keep everything in one place I have opened up a tumblr blog for the trip. So far it has images and interviews about all of the preperation etc. Whilst I’m away I’ll keep it updated daily with new photographs etc – which I’ll continue to do up until the book launch.

You can find the mini-site here.

#CaliforniaCalling