September 2, 2016 § Leave a comment
I’ve been looking for somewhere to print a small run of photo books for a while now – with the idea of self publishing a small book to sell exclusively at exhibitions etc. After seeing a featured add from Saal Digital on Instagram I decided to check them out…
I downloaded their software and eventually decided on a glossy 19 x 19 book with approximately 30 pages…
The software was really simple to use, but much more importantly it was effective. A simple case of ‘drag and drop’ for the files you want to use – all embedded into the software at high resolution. There are many templates available within the program but I opted for either their ‘blank’ or ‘double’ pages. A note here: the double pages look incredible! No loss of image within the fold or crease at all, which means your images are seen how they are meant to be!
Once completed you simply upload your final design, choose your shipping method and pay. The book took about a week to arrive, and I have to say I was so impressed. The quality of the product is exceptional. All too often as a photographer, I’ve uploaded images to print, only to be left disappointed with the quality. That’s certainly not the case with these photo books. They look and feel great. Thick pages with a high gloss finish really make the book stand out.
Over the years (too many to mention) I’ve tried and used many publishing tools to create books to self publish, but Saal Digital are definitely the best for ease of use, quality of the product and delivery/shipping times.
For more information on their products head on over to www.saal-digital.co.uk
October 2, 2015 § Leave a comment
011/365 – Geisha.
So I am only day 12 into my 365 project and I have to say I’m finding it more difficult than I first considered… Although, I guess it’s inevitable, I’m really trying to stay away from “point and shoot” images. I’m doing my best to work on the photographs each day; come up with an idea and concept and shoot it. For obvious reasons – the main one being time – this is much easier said than done.
The image above was taken on my Pentax DSLR yesterday and it’s one of my favorite images of the project so far. It’s deliberately under exposed and shot on RAW as I wanted a dark, grungey and grainy effect for the shoot. For this image I just used one flash light to the side of the model.
I’m trying to be very varied in the photographs I’m shooting for the project – mixing up iPhone shots and DSLR shots.
However, make no mistake, even so early on I can see the benefits of this project. Even on days where I am full up with meetings and editing etc I’m still “forced” to shoot, and enter the creative process. I remain pretty determined to see the project through. Already there are some photographs I prefer to others which I guess is natural. On the flip side of that there are photographs I’ve taken for it that have really grown on me. I’m also keeping a journal and entering information each evening about that days photograph; just things like how I shot it, how I feel about it. I’m finding this very handy as it helps me keep track of what I’ve shot and what I need to focus on. It will also be a real benefit if I decide to publish this in print at any point.
You can see my 365 project at: http://beebee365.tumblr.com/
Thanks for reading.
June 6, 2015 § Leave a comment
Bro&Brew has now launched – if you’re an artist or writer please head to the site and go to the SUBMIT page if you’d like to have your work featured…
For my part – I’m going to be shooting a new model each month for the online version of the magazine. Above is 2 images from my first shoot with model Phoenix Ra.
Please go check out the site – it’s still a work in progress but any feedback would be greatly received.
September 16, 2014 § Leave a comment
Image from the series ‘Fade To Black’ by Carl Beebee. 2014.
I recently read an article on the popular photography website fstoppers.com called “Censorship is Good for Photography. Seriously” The article explains, or rather argues, why censorship in photography is a good thing. It is of course the writers opinion and he offers valid points. But to me it is not a good thing. It is something that restricts creativity, opinion and thoughts. It simply holds artists back!
I want to make it clear here; i’m not in anyway supporting illegal images – only images that fall within the law. I’m also not talking about classification – where it is important to fall within age restrictions etc. If an image is “not safe for work” does that make it wrong? If it’s labelled “not safe for work” or ‘NSFW’ then to me it is fair game. It is after all, at the heart of it, personal preference. If someone wants to put the word “fuck” across their image is it inappropriate? Should it be censored?
I think we live in a world where we should all be able to offer our opinion with freedom and creativity. Surely, it’s a simple rule? – if you don’t like what you see then look away. Galleries, curators and the press already put so many restrictions on artists I feel that at times it prevents said artists from creating the work they actually want to create. As soon as that happens then they have lost their voice.
It’s so important to believe in your work, regardless of others opinions or thoughts. It has to have an honesty and an integrity to it in order for the artist to be themselves – not just as an artist but as a person. It is this trait that will blends personality into the work.
How will history view the censorship of photography? Well, look back in time at Hollywood – films such as ‘The Exorcist’, ‘Clockwork Orange’ and ‘The Texas Chain Saw Massacre’ were all banned in certain regions and countries. Today they have been re-introduced and are widely available – but perhaps more importantly, each in their own form is considered ground breaking and important. That is perhaps the biggest lesson to be learnt and the reason why I will always say “Censorship is bad for photography. Seriously.”
August 20, 2014 § Leave a comment
Double Exposed Polaroid 600 – Circa. 2000.
Nearly everything I shoot these days is in digital because let’s face it; it’s easier, cheaper, quicker and often (usually) more commercially viable. Bridge cameras, DSLR’s and iPhones have all helped bring the digital revolution to the forefront of photography. It’s nothing new. But it leaves me cold. More people than ever now take photographs. This is a good thing I realise but I think it takes away the love of it all. I realise I’m probably not explaining this too well but there is something so unique, and so special about shooting with a film or Polaroid camera.
I’ve recently moved house, and this gave me a great excuse and to sort through boxes and boxes of 35mm negatives and exposed Polaroids. I looked through them all, and they just seem to hold so much more substance. They are real. Printed in front of me. There is in my opinion an art to them which will forever elude digital photography.
I’m aware there are many photographers that still shoot in film, but in truth it’s not something I do enough of and I need to change that. I need to feel like a “photographer” again and in my humble opinion shooting with film is such a large part of that.
I decided that I needed some personal projects to work with to use film again so I started to look through the internet to gather some inspiration. I came across a great article on fstoppers.com by David Geffin titled ‘Why I’ve gone back to shooting film, and why you should too’ It essentially told me what I already felt and I found myself nodding in agreement as he suggested that our DSLR’s have “turned us into the equivalent of photographic sloths”
I then watched a film which I had been meaning to watch for a while called ‘Finding Vivian Maier’ who was a Nanny in America but had a somewhat secretive life as a street photographer. I’d urge anyone with an interest in film photography to watch this film.
For me, I’ve decided that for the first time in years, next month I will shoot a model completely on Impossible Project Polaroid 600 film. I’m looking forward to this shoot more than any other I have done in a serious amount of time. I have also been wondering for some time how I could make my 2nd California book different to the first. I am now starting to consider shooting a large portion of the book on Medium Format film as well as Impossible Project…
Thinking about film, and how I can implement it has kind of taken me back to where I started and in all honesty it has helped me regain my love for the art form which is photography.