The above print is something I worked on last weekend. I had it professionally retouched and I’m really pleased with it…
Today I’v also (finally!) opened an online store selling digital prints of my images. There’s only one on there so far but I promise I’ll be adding more soon…
If you’d like to check out the print(s) please visit my Etsy store by clicking here.
This past Christmas my wife bought me the MiNT Camera TL70 – a twin lens reflex camera that shoots on Fujifilm Instax Mini film. It’s a beautiful looking camera, modelled and designed on the vintage twin lens camera systems.
The camera, has a aperture range of f5.6 to f.22 and boasts a shutter speed range of of 1/500 – 1 second in Automatic mode and up to 10 seconds in Bulb mode.
Since having the camera I’ve mostly shot fashion shoots with my wife as well as snapshots whilst out walking, as I’ve not yet felt confident enough to use the camera in a pro shoot. In fact, after shooting approximately 8 rolls of film, I think it’s only now that I’m getting used to the cameras capabilities and limits – both of which, there are many.
I absolutely adore this camera but it definitely has its quirks. Focusing, can at times be difficult, but if you get the focus right, with enough light, the f5.6 aperture can look incredible. In fact I would definitely suggest it has been worth the perseverance.
I have long loved Polaroid film and instant photography in general – I think it’s about having something physical and present in your hand as soon as the shutter is released. Watching the image appear – just like I did in a darkroom all those years ago, has never lost it’s magic for me. It’s one of those things that can remind you of why you fell in love with photography in the first place. I think personally for me recently Polaroid film has just outpriced itself somewhat – I still love the square format but at almost £20 for 8 exposures, I find it hard to compete with the Instax at £15 for twenty – and sometimes cheaper.
My portraits have definitely got better, the more I have come to understand the camera. Just below is one of the very first portraits I took with the Fujifilm black and white Instax film, and to the right of it is one of the latest images I have taken – both on the sytems f5.6 aperture.
There’s a definite “mood” to the portraits it takes which I really like.
In a world where everyone has a camera in their pocket – the MiNT is a definite conversation starter. I’ve been asked about the camera on several occasions whilst out shooting. Good or bad (good in my case) it’s probably about as “hipster” as it gets!
If you’re someone who likes to shoot Instax film, ‘d definitely recommend this camera. Quirks and all – it is just so much fun to use for portraiture and still life.
You can follow my adventures with my mint on my specific Instagram page here.
Alt Travel Photography, I’m not even sure that’s a real thing, but regardless it’s the description I’ve gone with for this particular project. Let me try and explain a little…
Every holiday (or vacation to those of you in the States) I come back with a handful of photographs. You know the kind; selfies, a few pics of the beach etc. The kind of photos I always refer to as “snapshots”. This is nice and all and upon my return I put them in a folder on my Mac, or occasionally get them printed. They’re nice memories to keep and look at a handful times over the years, but it kind of ends there. I decided this year I wanted to try something different…
This past November my Wife and I headed on a working holiday in the beautiful coastal town of Santa Susanna – a short journey from Barcelona and very much in Catalan territory. Before we left I had already decided that I wanted to give this “alt travel photography” a shot. I wanted to create something different. Obviously whilst there I’d still take the selfies etc for personal use, but I wanted to really think and create a set of images I’d happily publish, or at the very least share on my website.
Everywhere we went, everywhere we explored, every activity it made me conscious of taking photographs. Finding a unique shot whilst still documenting our journey and our week. The day we had chosen to go into Barcelona city happened to be the day of the Catalan general strike which saw over 100,000 people take to the streets to protest against police brutality, and stand for democracy. I included only a couple of photographs from this day, partly because it’s not exactly what I wanted this project to be and partly out of respect for those protesting…
I knew from the get go I wanted to include portraits of us both but still capture the beautiful landscapes and surroundings. So that’s what this project is. ‘Alt travel photography”? I’m not sure, but it’s certainly alt for me. Something different, something that made my creative brain tick and something that led to a series work I’m proud of, all whilst experiencing a beautiful place in a sometimes drunken, but always happy state.
To view the full gallery please click on the following link: Sleepless in Susanna by Carl Beebee.
Here’s a little shot I managed to get at the end of a shoot the other day…
A company I was working for had hired a pool to do a fashion shoot there. The pool had really been hired to shoot around it, but once we’d finished we still had over half hour left on the clock. I grabbed my GoPro, asked one of the models to put a floaty dress on and began to hold my breath and shoot underwater… Considering the lack of available light I’m really pleased with the shot. In fact, I think there’s something quite haunting about it.
Amazing what you can do with a little free time, a small amount of light and an undertsanding model… Here’s a few behind the scenes iPhone pics from the shoot.
If I spoke to ten different photographers from ten different backgrounds, working within ten different areas of the field, I would hazard a guess that at least eight of them would have a love for the instant photograph. Whether it be the age-old chemical process of the Polaroid or the (relatively) new electronic mechanism of the Instax. They probably wouldn’t be able to explain their love or fully understand it themselves. Like a married person in the heat of an affair. Unable to comprehend it, or explain it but fascinated by it. Drawn to it.
For me, I think it’s the physical attribute of the process. It is the anti-digital but with the same immediate result. Look through the viewfinder, release the shutter, and seconds later you are holding a physical print. Something to keep, to frame, to use as a bookmark or prop up on a shelf. It gives you an instant sense of ownership, something that will live with you. In a similar way that the 12” records from the 60s and 70s look like they have been lived with – they look like they could tell a story. Every crease and coffee stain revealing something else. Put this in comparison to shooting 35mm film and it’s easy to understand the love of the instant. For most people – or at least those like me who don’t own darkrooms, you can shoot a roll of film and wait up to a week for the prints to arrive with you. It’s somehow just not the same for me. It doesn’t have the same substance. I feel a little withdrawn from the process of it.
A few months ago I went away for a weekend with my Wife, I decided to document the trip on the Fuji Instax Mini (discussed in this blog post). I took approximately 40 exposures, and those photographs have already been looked at dozens more times that the equivalent would have been – ten to twenty photographs lurking in a gallery on my iPhone. Pushed further and further down the gallery with each click of the shutter and with each screenshot.
I like things in my life that are unpredictable. Nights out, late nights, work projects. Unpredictability fascinates me. That’s what instant film offers. It’s like the unplanned “quick pint” with your friend that ends with a 4.00 am drinking session and an almighty hangover. You’ll never know what you’re going to get with instant film. You can do your best to create the “perfect” shot. Check your lighting, stage your subject, but I can almost guarantee you won’t get the same results twice. With limited to no control over exposure, ISO, and shutter speed, and without the ability to look through a single lens, every image will be different. Each will have it’s own personality. It’s own failings and equally it’s own brilliance.
This is nothing new, photographers have been fascinated with instant film since it came to light. Professionals used it, families used it. There would have been countless nude photographs taken of partners, hidden at the bottom of drawers during a time where instant photography was the only private photography.
Maybe all of that is part of it’s charm. Today there are artists who only shoot on instant film. I truly admire that but have to admit it’s not something I could do. After a week or so I’m always pretty happy to go back to the comfort of my DSLR, like the cheating partner walking back through the door of his house. It feels like going home.
When you think of instant film it’s hard not to think of the resurgence of analogue. Vinyl is back in record stores and outselling physical CD’s. It’s a throwback to a simpler time, a time when “things” meant something. A time where things weren’t thrown away. A time where not everything was considered disposable.
– Carl Beebee.
FATALE test shoot – 03/2017
Blogging, you have to blog right? (Is this ‘blogging’ on here?). Everyone tells me I have to blog. My agents tell me, my publicist tells me, so do my clients, friends and everybody else. I have to blog. I enjoy blogging I’m just not great at finding the time to do it, and I don’t pretend I’m actually any good at it. But I’m not bothered about that. I think I’m meant to blog about work and life but ironically those are the two things that seem to get in the way of me blogging. Let’s face it, there’s things I’d rather do than blog; spending time with my family, visiting galleries, drinking, fucking, shooting. All of the things that fill my life and generally make me happy. As I mentioned, I enjoy blogging, just generally not as much as the other things I’ve mentioned. I guess I need to find a way around this, but for now I’m going to tell you a little about what I’ve been working on because that seems as good as reason as any to blog.
Most of my time at the moment is taken up by working on my new book ‘FATALE’. My agents want this released in November of this year but that means a really tight schedule. I’m photographing approximately 50 women for the book. A mixture of professional models, friends, people I’ve known for a few years and people I’ve never met. It is a portrait of the real FATALE’s of 2017. The girl who lives next door, the woman you see down the street, the Mother dropping her kids off at school. It’s cool, sexy, seductive and different. I was recently asked to sum the book up in one line. My answer was “it’s a fuck you Hollywood” — and it is. There’s another slice of irony there considering I got this book deal on the back of my previous book ‘California Calling’. That leads me onto something else I’m working on… In the next couple of months I’m releasing a new version of ‘California Calling’ exclusively to the iBookstore — hopefully there will be more news on that very soon.
I’ve also been working on a short documentary filming a duo who are in the UK from the States to record an EP. Actually, this is something I’d like to blog about but I’m contracted to keep my mouth shut until the release. That’s irony biting me firmly on my ass again.
Those are the things that are currently filling up my schedule along with the things I mentioned earlier. I’m going to try and blog more but I must admit that this is something I’ve said before. The intention is there. The will is there. If there was a school report for it, it would simply read “must try harder”.
Thanks for reading… See you in the pub.